Ground
The millennial I am, I
tapped a heart on to your latest picture.
The millennial you are, you
thumbed a one-button affirmation back on mine.
17 years reduced to a series of zeros and ones
when all I want to do is say come home.
But if home is what you were escaping,
am I part of that demographic?
If home is what you were running away from,
then how can you say that you’re homesick?
If home is what you left behind then what exactly do you call where you are now?
And how did you decide he made the cut
and showed me up
and if you landed on my doorstep drunk again,
I might not open up so
yeah.
Maybe you were right.
Cos if you think the problem is at home,
then home’s the only thing you’ll ever know.
The irony of a 43
chapter textbook on semantics
laser-printed, stacked and hole-punched
right there on your messy workbench
in the early dawn.
I have no idea how
I should be taking those words now,
These fragments
of the things that I
just wish I would have said
that night are words you may have learned to
use as stepping stones to meet
with me halfway
But if I go and say them
now I’ll be afraid I’m
weighing down the
raft you built with
flesh and bone to
float yourself away from home
and find whatever you
can call okay
The AP Stylebook has no guidelines about how to write a letter to someone in rehab.
I must have put pen to paper sixteen times before I could even write the letters
that make up your name.
How did we get here?
From nights spent lying in your bed
closing our eyes together instead
of waking up alone,
to this barely speaking
always fleeting
semblance of sentences.
Are you any more of a man than you were
in those moments?
Am I any less of a friend of
than I ever was?
T.S. Eliot spoke to me
T.S. Eliot spoke to me
T.S. Eliot spoke to me
at four o’clock in the morning
I read him much of the night
upside down and backwards in my bed
clutching my head
as I tried to find a position comfortable enough
to breed sleep from the remnants of pain
I was determined
to find in verse
whatever compelled me
to dust off the nearly century-old pieces
and indulge them in the middle of the night
But all I found
glowed into the words
at the violet hour
were abstracts and nonsense
Jug jug jug jug jug
I realized then that there are no such thing as signs
only cheap coincidences
Aya ya kigeni si ya werevu
And that this pain is just a waste land
There’s no art in it